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This Emperor egg, which is an author's signature work, was released in limited edition. It is made from crystal, gold-plated brass, and decorated with pastes.
Crystal is decorated with highly technological engraving - "diamond cut" and with an optical lens, through which it is possible to examine an object, which is located inside the egg. Samovar - Russian folk device for boiling water and brewing tea.
Samovar was for the Russians the unique symbol of family values, coziness, and friendly relationships. The presence of a samovar in house testified of material abundance. Serious business matters frequently were solved by samovar. It was a centerpiece on the table at the hottest art and political discussions. The samovar was necessary both in the houses of capital St.Petersburg aristocrats and in restaurants or tearooms for Pasad well-off people. During XIX – XX centuries, samovar became the most characteristic symbol of the Russian way of life, the central object of tea drinking, which had already began to be considered as the part of the national cultural tradition in the XIX century in Russia. Being the adornment of a house, the samovar, from the moment of its appearance, took a special place among everyday copper kitchenware items, having become very rapidly one of the most original objects of Russian decorative-applied Art. The plentiful variety of samovar production and decoration was capable of satisfying any artistic and aesthetic demands of different classes of Russian society.
Crystal is decorated with highly technological engraving - "diamond cut" and with an optical lens, through which it is possible to examine an object, which is located inside the egg. Samovar - Russian folk device for boiling water and brewing tea.
Samovar was for the Russians the unique symbol of family values, coziness, and friendly relationships. The presence of a samovar in house testified of material abundance. Serious business matters frequently were solved by samovar. It was a centerpiece on the table at the hottest art and political discussions. The samovar was necessary both in the houses of capital St.Petersburg aristocrats and in restaurants or tearooms for Pasad well-off people. During XIX – XX centuries, samovar became the most characteristic symbol of the Russian way of life, the central object of tea drinking, which had already began to be considered as the part of the national cultural tradition in the XIX century in Russia. Being the adornment of a house, the samovar, from the moment of its appearance, took a special place among everyday copper kitchenware items, having become very rapidly one of the most original objects of Russian decorative-applied Art. The plentiful variety of samovar production and decoration was capable of satisfying any artistic and aesthetic demands of different classes of Russian society.














